It’s good to know when to walk away. This is not to say that the “How to Train Your Dragon” series has overstayed its welcome – it couldn’t possibly, they have only made two films up to this point, and both were critical and commercial smashes – but rather that it’s commendable that DreamWorks Animation chose to go out on a relatively high note and preserve the legacy of the franchise as a whole, rather than squeezing the cash cow for every penny before leaving it for dead by the side of the road (ahem, “Pirates of the Caribbean”).Continue reading
I’m bringing the mope this week, love birds. If I know anything about love, it’s that it dies a slow, painful death when the month of February rolls around. Seriously, for two Februarys in a row in college, all of my friends and I saw our relationships come to an end. The following year, we threw a party to celebrate it, and that annual party tradition carried on for another ten years. The breakups, thankfully, didn’t.
Bands making their DH debuts this week include Alison Moyet, The Bangles, Deon Estus, David Gray, Elliott Smith (what), Kate Bush (WHAT), Simply Red, Vitamin Z, and World Party. Wait, really? Sorry, Mr. Wallinger. I just assumed I had played you by now.
The March show is still being built, but I’ll give you a hint as to its theme: the giant crab in “Moana” would approve.
Thank you, as always, for listening.
The first time Phil Lord and Christopher Miller take a whack at a story idea, they tend to knock it out of the park. “Cloudy with a Chance of Meatballs,” “21 Jump Street,” “The LEGO Movie,” and “Spider-Man: Into the Spider-Verse” (that last one is credited solely to Lord, but Miller executive produced) were all top-notch films, each one funny, heartfelt, clever, and possessing a much larger scale than one would have a right to expect.Continue reading