There are few, if any, franchises that have ridden off into the sunset quite like the “Toy Story” films did. “Toy Story 3” has a pitch-perfect, if gut-wrenching, ending, and the characters were the frequent subject of Pixar’s short films, which seemed like an ideal post script. Why would any studio risk, um, sullying that? The cynical response is money (it’s always money), but it’s hard to dismiss Pixar founding father Andrew Stanton’s rationale: “Toy Story 3” was a perfect ending for the audience, but for the toys that Bonnie inherited from Andy, their story was starting all over again, and it is through that lens that Pixar would like us to view “Toy Story 4.” That’s nice, but it’s of small comfort when the feeling of familiarity (toy in distress, Woody to the rescue) quickly consumes everything. This is basically “Toy Story 2” in reverse, with more moving parts.Continue reading
Think. Stay. Go. Change. Why bother with two syllables when one will do just fine?
Credit goes to Scraps, Popdose’s former Name That Tune host, as he came up with this idea over a decade ago.
There is some hot classic alternative action going on here. In fact, this is the only show I’ve ever done that stays in one lane. It is all modern, or modern-adjacent, from start to finish. This will probably never happen again.
Artists making their Dizzy Heights debuts this week: Godley & Crème, The Apples in Stereo, The Sugarcubes, Tones on Tail, Age of Chance, My Bloody Valentine, Squirrel Nut Zippers, and (checks notes) Gary Numan? What?
Thank you, as always, for listening.
“Men in Black: International” makes so much sense from a marketing standpoint that it’s tempting to dismiss the film as the cynical global box office cash grab that, let’s face it, it probably is. The previous three films took place almost exclusively in or immediately outside of New York City, and that, um, ‘America first’ approach just doesn’t fly in an era where overseas box office is usually two-thirds to three-fourths of the overall box office. It makes perfect sense that there would be MIB field offices all over the world, and considering the fact that Chris Hemsworth and Tessa Thompson’s dance cards have opened up considerably since the end of shooting Phase 3 of the Marvel Cinematic Universe, in addition to showcasing great on-screen chemistry in “Thor: Ragnarok,” casting them as the leads is a no-brainer on a number of levels.Continue reading
Sorry for the extended absence. It was a whirlwind couple of weeks (kids finish school, vacation, totally first world problems), but here is the overdue, Tears for Fears-inspired follow-up to the show about the sun and the moon. I actually had to export this show about six times to get all of the tracks to appear (thanks, network drive), but I think, THINK, that everything turned out okay.Continue reading