Big, super-ultra-mega show this week, as there are scores of song titles that are also questions. And of course, what do I do but practically lead off with a song that I’ve already played. I keep a list of songs played to prevent this very thing from happening, but here we are.
I also also lucky enough to secure a couple of liners/bumpers/whatever those in the biz call them from Dizzy Heights-friendly artists. I’ll give you a hint: one of them, like Jim Kerr, is a fellow Scotsman.
Tons of artists making their DH debuts this week, including The Lonely Island, Jesus Jones, a (killer) brand new song from former Thompson Twin Tom Bailey, Zebra, The Three Degrees, Roberta Flack & Donny Hathaway, Tower of Power, Monaco, Love Spit Love, Ben Folds Five (wait, what?), Band of Horses, and Travis (wait, WHAT?).
Thank you, as always, for listening.
Under normal circumstances, an artist re-recording songs from their past with an orchestra is a ‘last refuge of the scoundrel’ sort of move, a cynical attempt at giving the fans something “new” while barely lifting a finger. In the case of Midge Ure, Ultravox frontman and co-writer of Saint Bob Geldof’s Band Aid benefit single “Do They Know It’s Christmas?,” the idea of an orchestral album isn’t a question of when, but rather why it took this long for it to happen. Ultravox’s music drips with melancholy – hell, they had a violinist in the band – making his entire catalog fair game for an orchestral album. The question then comes down to, “Well, shit, which songs do we choose?”
When “The Incredibles” hit theaters in 2004, it was arguably the greatest superhero movie of all time (and remains at or near the top of the list to this day). Between the pulse-pounding action sequences and the family story at its core, Brad Bird’s Pixar debut was a game changer on a number of levels. When years had passed without a whisper of talk regarding a follow-up, it made sense. After all, walking in the shadow of that film is a fool’s errand, and yet, everyone still wanted them to try. And here we are.