Opening this show up to the “world” (my Facebook friends) is easily the smartest move I’ve made so far. It’s gotten me out of my lane and opened up the format a hundredfold, and taking requests has given my friends a vested interest in the show’s turnout. It doesn’t hurt that my friends have delivered some phenomenal suggestions as well.
This week’s show: adjectives, one word only. There are lots of those, as it turns out, and I now have TONS of leftover songs, so if I didn’t play your song this time, I will most likely get to it next time.
Lots and lots of acts making their Dizzy Heights debuts, including a couple of shockers: 10,000 Maniacs, Big Head Todd & the Monsters, Blondie (!) The BoDeans, The Cure (!!!!), Fairground Attraction, The Housemartins, Kerli, Patsy Cline, Skunk Anansie, Sloan, and a female pop superstar whose name I’m afraid to mention for fear the Web Sheriff will come for me.
Programming Note: Dizzy Heights will be on vacation the week of March 29, returning on April 12.
Thank you, as always, for listening.
It must have hurt Editors to watch the chart success end so abruptly. The band racked up 10 UK Top 40 singles, including two Top 10 hits and two Number One albums, in a span of four years. That last hit: “Papillon,” the lead single from their third album, 2009’s In This Light and on This Evening. That album, a dark wave-drenched affair, was a radical departure from the walls-of-guitars approach of their debut and sophomore albums (2005’s The Back Room and 2007’s An End Has a Start), and while the songwriting continued their trademark twisted bombast, the sonic shift hurt them deeply from a commercial standpoint, even though it liberated the band from a creative standpoint.
This is the fourth in a series of love letters my DJ partner Ed Walker and I have created to celebrate the legendary alt-dance clubs of the late ’80s and early ’90s that peppered Ohio State’s campus, and this one might be my favorite of the bunch. Beastie Boys, New Order, Tom Tom Club (hence the show’s title), and Yello are here, along with many others. Happy dancing, everyone.
Watching the beginning of “A Wrinkle in Time” felt eerily similar to watching 2017’s film adaptation of “It,” in that the film was enjoyable but in a bubble, a product of its time. I was dragged kicking and screaming into the present the next day, when a high school classmate of mine expressed concern that the filmmakers were going to ruin the last two chapters of the book in order to make political statements.
This show – and the previous show, the ‘She’ song-filled ‘Film the World Before It Happens’ – are a big turning point in my podcast. I’m going to ride this theme thing for a while. It’s fun, and if the response from my Facebook friends is any indication, people are more engaged with shows that have a theme tying the songs together. This time, I went around the world and listed songs with the names of cities, states, countries, continents…heck, one of them is the name of a New Zealand beach.
I still have over two pages of songs that I didn’t use for this show, hence the Vol. I in the title. Thanks for listening, and I hope you enjoy it.