The Karen Mixes, Vol. III: Chill

This is the first of two mixes (so far) that were made for this year’s (postponed) get-together at the Cabin in the Woods. I made this specifically for Saturday morning, as we recover from the night before and plan the next day’s adventure/day drinking. I was sitting on a ton of downbeat songs that I knew Karen would like, but worried that they might kill the vibe, so I thought, “Morning, when this IS the vibe.” Towards the end, I started to ramp things up a little so the next mix wouldn’t be so jarring. Or at least that was the plan.

Artists include Le Flex, Dubstar, Howard Jones, Ellie Goulding, Jagwar Ma, Hatchie, Metric, Bryan Ferry, Duran Duran, Massive Attack, Arcade Fire, Icehouse, Heaven 17, China Crisis, Immaculate Fools, The Bluebells, ABC, Lightning Seeds, Aztec Camera, Franz Ferdinand, Trashcan Sinatras, The Feeling, Prefab Sprout, Romeo Void, Propaganda, Everything but the Girl, White Lies, Tom Bailey, Spandau Ballet, a-ha, Florence + the Machine, and Sheppard.

Thank you as always, for listening. Next up: Vol IV: More Beats.

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The Karen Mixes, Volume II: The Beast

I made this in early 2019. Karen had invited our crew to stay at a cabin she rented, and I wanted to make the music more personal. The previous year, I played a bunch of old Dizzy Heights shows with my talkie bits cut out, and that was fine because most of them covered the time period we shared together, but I wanted there to be something hand tailored to this group of people, particularly Karen, because she pays for this cabin every year, never asks us for a cent, and refuses to take money when we offer. This seemed like a small price to pay in return.

The first Karen mix was a beat mix. This one is a rock mix. I took two other mixes I had made for her (one classic rock, one alt rock) and threw them together, along with some newer stuff that either fit the vibe or appeased my kids for five seconds. There are dozens of songs from those two mixes that will appear on Volume 5. Wait, did you say Volume 5? Yes, I did. I’ve already made two others before compiling the unused tracks from those two mixes.

Artists include Icehouse, Donnie Iris, The Kinks, The Kings, The Tubes, Kim Mitchell, Honeymoon Suite, David + David, Bourgeois Tagg, Crowded House, The Call, Stabilizers, Art in America, Marillion, Rush, Pete Townshend, Robert Palmer, The War on Drugs, Daft Punk, The System, Simple Minds (twice), The Art of Noise, Electronic, Naked Eyes, Gary Myrick, Cheap Trick, ELO, Tears for Fears, Panic! At the Disco, Queen, Muse, The Producers, INXS, Pete Yorn, The Airborne Toxic Event, Ultravox, Gary Numan, David Bowie, Depeche Mode, The Ting Tings, Alphabeat, The Feeling, Attic Lights, The Divine Comedy, The Stranglers, The Damned, The Republic Tigers, a-ha, New Order, Duran Duran, Sinead O’Connor, Julian Cope, The Stone Roses, Siouxsie & the Banshees, Pet Shop Boys, Erasure, Kirsty MacColl, Twenty One Pilots, and Talk Talk, because Mark Hollis had just passed away when I made this, sigh.

Thank you, as always, for listening. Next Up: Volume III, The Saturday Morning Chill Mix.

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Movie Review: Final Destination 5

After a terribly disappointing fourth installment in the popular teen death series, New Line does the unthinkable by not only making a fifth “Final Destination” but, horrors (see what we did there?), casting old people as the leads. You know, people who are, like, 30, and even some born in the ’70s, ewww. Who wants to see old people die?

As it turns out, it was a very savvy move. “The Final Destination” was in a tough position in that its predecessor ramped up the death scenes’ difficulty factor (Rube Goldberg would have been proud, then probably ashamed) while maintaining self-awareness. “FD4” tried to maintain the planned chaos, but it was undone by bad dialogue, poor acting, and too much foreshadowing. From the very beginning, “Final Destination 5” does two things to separate itself from the previous movie: it casts grown-ups in the lead roles (David Koechner and Courtney B. Vance, holler) and gets serious in a hurry after a premonition on a suspension bridge leads a group of white collar drones to hop off the bus, Gus. Also, there are no bad last lines like “I’ve got my eye on you” (poor, poor Krista Allen), and while a death may be triggered by a chain reaction, the cause of death itself is often something normal (fall, fire). Don’t think they didn’t get creative, though; one of the women suffers a particularly gruesome accident that is impossible not to react to.

They’ve also changed the rules – which is ironic, but for reasons we cannot divulge – when coroner William Blodworth (Tony “Candyman” Todd, returning for a third tour of duty, fourth if you include his voice work in “FD3”) suggests that the survivors can cheat death by killing someone else, a la “The Ring.” It adds an interesting wrinkle, since you get a glimpse of what people are willing to do in order to stay alive. Do not under any circumstances watch the bonus features if you haven’t yet seen the movie, otherwise the big surprise, which is a good one, will be spoiled. Definitely check them out afterwards, though, as you’ll get a glimpse of Koechner adding some of his natural comic flair. A welcome return to form for what was presumed to be a, um, dead franchise.

3 out of 5 stars (3 / 5)
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