David Medsker | The Supermassive

Movie Review: The Divergent Series: Allegiant, Part I

By David Medsker March 18, 2016 March 20, 2016 Movie Reviews, Movies

As the “Divergent” series unfolds, it feels more and more like a giant bluff. Now in the homestretch, Veronica Roth’s not-too-distant dystopian nightmare is slowly devolving into a needlessly complicated metaphor for high school. There are factions, they keep to themselves, and once you switch factions, you cannot visit anyone from your previous faction. There is melodrama by the truckload. One boy does not like the special attention his girl is getting from the grown-ups, who are grooming her for Bigger, More Important Things. He is jealous. High school, high school, high school.

Movie Review: Zootopia

By David Medsker March 6, 2016 March 6, 2016 Movie Reviews, Movies

“Zootopia” might be the cleverest bait-and-switch Disney has ever pulled. All of the teaser ads and promotional materials are pushing the adorable Judy Hopps and her very funny encounter with the sloths running the DMV. What they conveniently leave out is that the movie is an on-point commentary about prejudice and racism, their origins, how they’re used as a weapon for political gain, and how we’re all guilty of them in one form or another. In fact, it’s tempting to resent the film a little, because it explains these subjects to children better than most parents ever could.

“Crazy Ex-Girlfriend” is so awesome that this should absolutely be its only season

By David Medsker March 6, 2016 March 6, 2016 TV

“Crazy Ex-Girlfriend” is like a wild dream that I had in the middle of the night, from which I woke myself so I could write it all down, only to realize that all of the really cool details were already long gone. I can’t even remember the last theme song that my wife and I would sing along to as it was playing. In fact, I’m not sure there’s ever been one. We’ve sung it so much, the kids caught on to it.

Movie Review: Risen

By David Medsker February 23, 2016 February 23, 2016 Movie Reviews, Movies

There is a scene in the Coen Brothers’ latest film “Hail, Caesar!” where a movie exec has a meeting with four clergymen of different denominations to see if any of them takes issue with how Christ is portrayed in one of their upcoming films. It’s one of the funnier scenes in the movie; it’s also why most Biblical retellings reek of focus groups and compromise, because the last thing a studio wants is to be perceived as insensitive when it comes to religion. “Risen” manages to avoid those trappings by doing the simplest thing: it focuses on one specific event – the Resurrection, along with the subsequent two weeks or so – and in the process sets a ceiling on the audience’s expectations. This sounds like damning with faint praise, but it turns out to be a very shrewd move.

Movie Review: How to Be Single

By David Medsker February 13, 2016 February 13, 2016 Movie Reviews, Movies

Don’t let the dirty talk and rampant sex fool you: “How to Be Single” is as safe as kittens. It might be the most harmless raunch-com ever made, a mash-up of several other mediocre relationship films (and one baby film) rolled into one profane package. The four leads sell it as well as they can, but this film was going to be a nonstarter regardless of whom they cast.

DVD Review: “The Simpsons, Season 6”

By David Medsker February 7, 2016 March 8, 2016 TV

First off, before a word is spoken about the episodes, a thousand lashes to those responsible for the packaging of this box set. The box is shaped like Homer’s melon, with the binder on the bottom of the box so it opens downward, which is the opposite direction of the plastic shell that wraps around it. It’s ugly, it’s awkward, and it sticks out like a sore thumb on our shelf next to the other five “Simpsons” box sets. A pox upon your houses, Fox design crew.

CD Review: Simple Minds, “Big Music”

By David Medsker February 7, 2016 March 7, 2016 Music

Simple Minds is one of the most confounding bands in music. They’ve always dreamed big, yet they were also just a little bit outside of the mainstream. Even the handful of hits they managed to score in the mid-‘80s – with their own material, anyway – didn’t jive with the songs they were rubbing elbows with on the charts. Where other bands were singing about going all the way, Jim Kerr was singing to God. Simple Minds are a pop band, and they are a cult band, and one could argue that it is their cult status that has lifted them during the lean years. They, like Tears for Fears, are one of the few bands of that era to enjoy commercial success without losing their cool factor.

Interview with Terri Nunn (Popdose, September 19, 2013)

By David Medsker February 6, 2016 February 7, 2016 Interviews

Think about getting on the phone with the woman you lusted after like no 14-year-old boy ever lusted in his life. This was the “challenge” presented to us when we got the green light to interview Berlin singer and part time DJ Terri Nunn, who for this writer’s money is the alpha and omega of ‘80s rock star hotties (and still looks fabulous today). Nunn is doing press to promote Animal, Berlin’s first album of new material in 11 years, and it’s a full-on dance record, packed with wall-to-wall beats – and yes, a dubstep moment – as well as a scorching cover of Jefferson Airplane’s “Somebody to Love.” Nunn was clearly thrilled about finding her muse again. We, on the other hand, were happy just to be on the phone with her. What happened along the way, like the time she called two music giants ‘socially retarded’ – and outed another for not having the decency to turn her down politely – and when she equated making music with a married couple’s sex life, was gravy. And then there was the opening exchange, which will haunt our dreams until the end of days.

It Took Eight Months for Me to Make Sense of a Small but Crucial Plot Point in “Inside Out”

By David Medsker February 6, 2016 November 1, 2019 Movies

I love Pixar. Despite the fact that a few of their recent non-sequels were not the moon shots that their first seven or so films were (ahem, “The Good Dinosaur”), they’re still, pound for pound, the best movie studio on the planet. And I was really excited for “Inside Out,” despite its similarity to the early ‘90s Fox sitcom “Herman’s Head,” something my brother and I watched every week because a) we didn’t have cable, b) it was too late in the evening to plug in the guitars, and c) it followed “The Simpsons,” and “Simpsons” voice actors Hank Azaria and Yeardley Smith were in the cast. It was the path of least resistance.

Movie Review: The Good Dinosaur

By David Medsker February 5, 2016 April 15, 2016 Movie Reviews, Movies

An unsettling trend is starting to appear in Pixar’s work. When the visuals are more eye-popping than usual, it’s a sign that something more important is lacking (see: “Brave”). “The Good Dinosaur” is visually breathtaking, featuring the most lifelike water that has ever graced an animated film. The story structure, however, is one of Pixar’s weakest, feeling more like old-guard Disney than the kind of thing Pixar normally produces. There are valuable lessons for children to learn here, but there is also a fair amount of trauma. Little Arlo gets his ass handed to him early, then spends the rest of the movie trying to survive.

Author: David Medsker